With Reliance, Soen reach one of the most solid and self-aware moments of their career. On the verge of celebrating two decades as a band, the Swedish group continues to explore the contrasts that have always defined their sound: strength and fragility, darkness and hope, introspection and social awareness. We spoke with Joel Ekelöf, the band’s vocalist, about the creative process behind their seventh album, the evolution of Soen over the years, the need to stay alert in an increasingly numbed world, and the special bond the band shares with the Spanish audience.
David Aresté
M.S: Joel, thank you very much for your time. First of all, congratulations on the release of Reliance. How do you feel now that this seventh album is about to be unveiled?
Well, thank you. First of all, it’s a pleasure to be here. I think our seventh album, Reliance, is very complete. It feels more complete than Memorial and Imperial, but at the same time it’s a continuation of those albums, with a slightly harder sound. It’s also a combination of everything we’ve done lately; there are even remnants of Atlantis. It’s not a conceptual album, but more like a reflection on people, on what concerns you as a person at different stages of life — politically, socially, existentially, and also in close relationships.
M.S: Soen is celebrating 20 years since its formation. Two decades of music, evolution, and constant searching. How does it feel to look back and see everything you’ve achieved?
It feels great. It’s funny because on a daily basis you don’t really think about it. But when you look back, yeah, it says 20 years, although I’d say it’s more like 15. Back in 2004 Martin was still playing in Opeth, and it was around 2010 when we actually met and started the band. Since then it’s been a journey. In the beginning we didn’t really know what we were doing, we were just trying to find a sound. Fifteen years later, I think we finally have a clue.
M.S: If you compare the early years of Soen with today, what would you say has changed the most? And what remains essential to the band’s identity?
The biggest change is that we now have a very solid lineup. Everyone has been in the band for many years and we’ve played hundreds of shows together. In the beginning it was more about trying things out. Today we’re a tight group with a clear identity, and that’s essential.
M.S: Soen has often been described as a band that plays with contrasts — light and darkness, heaviness and melody. What do those contrasts mean to you, and how are they reflected on Reliance?
It’s part of our dynamic as a band. We can play very heavy music, but also very soft and mellow parts. You can’t really have something truly heavy without something softer in between — it’s all about contrast. Music is about tension and release, and that’s how we create dynamics.
M.S: The first single, Primal, has been described as a visceral and defiant roar. What inspired this song, and what role does it play on the album?
First of all, it’s a great opening track and it works really well live. It has a big riff and a lot of power. Lyrically, it’s a kind of wake-up call. We’re not trying to tell people what to think, but it’s about encouraging people to stop being numb. Today it’s so easy to just scroll on your phone while extremists take over the political agenda. That numbness is dangerous, and Primal is about that.
M.S: The album speaks about mental and physical limits challenging humanity. What personal or social themes influenced the writing process?
It’s about society, politics, existential questions, and close relationships. Basically, it’s about what affects you as a human being in different phases of life.
M.S: The band feels more solid than ever. What was it like working with this lineup on the album?
Everyone has been in the band for a long time now, and that’s very important. Cody’s guitar playing and solos are better than ever. Lars brings a lot of musical knowledge and theory into the band. And the connection between Stefan and Martin on bass and drums is very special. Together, we’re more than just individual musicians — we’re a team.
M.S: Was there any key production decision that defined the sound of Reliance?
Working with Alexander Backlund was crucial. He gave us the time and freedom to experiment. Normally in expensive studios there’s no time for that, but with him we could really explore ideas. That made the album more experimental and, honestly, I think it’s our best-written and best-produced record so far.
M.S: Are you more satisfied with this album than with previous ones?
Yes, definitely. I would say this is our best album. Before, we were experimenting without really knowing what we were doing. Now we have the skills and experience to make those experiments work.
M.S: Many of the song titles are just one word. Why is that?
A single word can create a certain depth and emotion without explaining everything. The music and lyrics grow around that word.
M.S: Is there any song on the album that holds a special meaning for you?
Today I’d say Huntress and Unbound. Huntress is very personal and beautiful. Unbound is more direct, very metal, very Soen. Both are special to me.
M.S: Could you describe Reliance in five words?
Courage, vulnerability, independence, hope, and transcendence.
M.S: Why “hope”?
Because I believe in a better future. I believe that ordinary people can take back their society and their lives. There is hope, but it takes courage to make it happen.
M.S: This summer you played at Rock Imperium Festival. What do you remember about that show?
Rock Imperium is one of my favorite festivals. It feels familiar and welcoming, and the Spanish audience is amazing. We’ve played there twice now, and I hope it becomes a tradition.
M.S: Can we expect a new visit to Spain in 2026 to present Reliance live?
Yes, definitely. After the album release we will go on tour, and Spain will absolutely be part of it.
M.S: After 20 years, what would you like listeners to feel when they hear Reliance?
I hope they feel they’re still joining us on this journey. I hope they feel some courage and hope. We know our music reaches people in difficult situations, even in countries with repression, and if it can inspire someone, then I’m truly happy.
M.S: Finally, any last words?
I hope to be back in Spain very soon. It’s always beautiful to be there.
David Aresté